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texmex99

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 #1 
Atotonilco – Tony De La Rosa

This is a tab of Atotonilco, I created it from the Tex-Mex Accordion Practice Session CD by Tim Alexander and Max Baca.  It is much more similar to the Tony De La Rosa version.

The song starts in C, then modulates to G.

Let me know if there are any mistakes or amendments required.
I would recommend listening to the song to get the timing correct.


Notes:
    Lower case key (for example c7) is a short / grace note used to make a hammer-on sound.
    {   }    =    curved brackets - TRILL or TRIPLET those notes or play them fast.
    t        =    next to the keys means to TRILL those notes.
    tp        =    next to the set of keys mean to TRIPLET those notes.
    h        =     hold the key/keys while pressing the next keys.
    ~        =    hold the keys – longer note.


Part 1 – played in C.

(C78 F78x8) F7C10 C1011 F7C10   C89   C78 F67 C89
C78 F7C10x8 C89 (F78 F67 C78 C8.C7.C6) C78 F67
(C78 C67 C78 F78) F7C10   F67.C89.F67 F67.C78
C78x4 C67x4 C78x4 F7C10x4 C89x4 F67x2 C78x2 (C67)

(C78 F78x8) F7C10 C1011 F7C10   C89   C78 F67 C89
C78 F7C10x8 C89 (F78 F67 C78 C8.C7.C6) C78 F67
(C78 C67 C78 F78) F7C10   F67.C89.F67 F67.C78
F7C10   F67.C89.F67   C89.F67.C78   F67   F67.C78   (C67 C67x7)

note:    
In line 3 and 7, (C78 C67 C78 … can be played to make a hammer-on sound.
For example, (c7.c8  c6.c7  c7.c8 …

Part 2 – played in C.

F3 C5 C6F7 (C6F7)   (C5) C6F7   C67 F3 C5x2 (C6F7)   (C5x2) C6F7
C3.F2 C3.F2 C4.F3 (F46 F46.C57t   F4.F6.F4   fF6.C57t)
G3 C3 F2   C4 F3C6x2   C3x2 F2 C4 F3C6x7
C3.F2 C3.F2 C4.F3 (F46x4 C57x4 C46x7 F46x4 C57 C57x7)

F3 C5 C6F7 (C6F7)   (C5) C6F7   C67 F3 C5x2 (C6F7)   (C5x2) C6F7
C3.F2 C3.F2 C4.F3 (F46 F46.C57t   F4.F6.F4   F46.C57t)
G3 C3 F2   C4 F3C6x2   C3x2 F2 C4 F3C6x7
{C4.F3.C4}tp F2 C3 (C3 C46 C46x5)

Part 3 – played in C.

F3 C5 F4  C6.F7  
F4.C6.F7  F4.C6.F7  F4.C6.F7  F4.C6.F7  F4.C6.F7  F4.C6.F7  F4.C6.F7  F4.C6.F7  F4.C6.F7
C6.F5.C6
(F2.F4.C5) (F2.F4.C5) (F2.F4.C5) (F2.F4.C5) (F2.F4.C5) (F2.F4.C5) (F2.F4.C5) (F2.F4.C5) (F2.F4.C5)
(F2.F4.C5) (F2.F4.F2)
C2.F3.C4  C2.F3.C4  C2.F3.C4  C2.F3.C4  C2.F3.C4  C2.F3.C4  C2.F3.C4  C2.F3.C4  C2.F3.C4
C2.F3.C4  C2.F3.C2
(F2.F4.C5) (F2.F4.C5) (F2.F4.C5) (F2.F4.C5) (F2.F4.C5) (F2.F4.C5) (F2.F4.C5) (F2.F4.C5) (F2.F4.C5)
(F2.F4.C5) (C4)

F3 C5 F4  C6.F7  
F4.C6.F7  F4.C6.F7  F4.C6.F7  F4.C6.F7  F4.C6.F7  F4.C6.F7  F4.C6.F7  F4.C6.F7  F4.C6.F7  C6.F5.C6
(F2.F4.C5) (F2.F4.C5) (F2.F4.C5) (F2.F4.C5) (F2.F4.C5) (F2.F4.C5) (F2.F4.C5) (F2.F4.C5) (F2.F4.C5)
(F2.F4.C5) (C4)
G3 C3 F2   C4 F3C6x2   C3x2 F2 C4 F3C6x7   F3 C4 F2 G3 (C3 C46 C46x5)

Part 1 – played in G.

C67 F67x8 C7G9 G910 C7G9   G78   G67 C67 G78
G67 C7G9x8 G78 F67 G78 (G67 G7.G6.G5) G67 C67
(G67 G56 C67 C78) C7G9   C67.G78.C67 C67.G67
G67x4 G56x4 G67x4 C7G9x4 G78x4 C67x2 G67 (G56)
(G67) F67x8 C7G9 G910 C7G9   G78   G67 C67 G78
G67 C7G9x8 G78 F67 G78 (G67 G7.G6.G5) G67 C67
(G67 G56 C67 C78) C7G9   C67.G78.C67 C67.G67
C7G9   C67.G78.C67   G78.C67.G67   C67   C67.G67   (G56 G56x7)

note:    
In line 3 and 7, ( G67 G56 C67 … can be played to make a hammer-on sound.
For example, (g6.g7  g5.g6  c6.c7 …

Part 2 – played in G.

C3 G4 G5C7 (G5C7)   (G4) G5C7   G56 C3 G4x2 (G5C7)   (G4x2) G5C7
G2.C2 G2.C2 G3.C3 (C46 C46.G46t   C4.C6.C4   C46.G46t)
F3 C5 C6   G47 G5C7x2   G6x2 C6 G47 G5C7x7
G2.C2 G2.C2 G3.C3 (C46x4 G46x4 G35x4 C46x4 G46 G46x7)

C3 G4 G5C7 (G5C7)   (G4) G5C7   G56 C3 G4x2 (G5C7)   (G4x2) G5C7
G2.C2 G2.C2 G3.C3 (C46 C46.G46t   C4.C6.C4   C46.G46t)
F3 C5 C6   G47 G5C7x2   G6x2 C6 G47 G5C7x7
C3 G3 C2 G2 (G2 G35 G35x5)

Part 3 – played in G.

C3 G4 C4  G5.C7
C4.G5.C7  C4.G5.C7  C4.G5.C7  C4.G5.C7  C4.G5.C7  C4.G5.C7  C4.G5.C7  C4.G5.C7  C4.G5.C7
G5.C5.G5
(C2.C4.G4) (C2.C4.G4) (C2.C4.G4) (C2.C4.G4) (C2.C4.G4) (C2.C4.G4) (C2.C4.G4) (C2.C4.G4)
(C2.C4.G4) (C2.C4.G4) (C2.C4.C2)
G2.C3.G3  G2.C3.G3  G2.C3.G3  G2.C3.G3  G2.C3.G3  G2.C3.G3  G2.C3.G3  G2.C3.G3  G2.C3.G3
G2.C3.G3  G2.C3.G2
(C2.C4.G4) (C2.C4.G4) (C2.C4.G4) (C2.C4.G4) (C2.C4.G4) (C2.C4.G4) (C2.C4.G4) (C2.C4.G4)
(C2.C4.G4) (C2.C4.G4) (G3)

C3 G4 C4  G5.C7
C4.G5.C7  C4.G5.C7  C4.G5.C7  C4.G5.C7  C4.G5.C7  C4.G5.C7  C4.G5.C7  C4.G5.C7  C4.G5.C7
G5.C5.G5
(C2.C4.G4) (C2.C4.G4) (C2.C4.G4) (C2.C4.G4) (C2.C4.G4) (C2.C4.G4) (C2.C4.G4) (C2.C4.G4)
(C2.C4.G4) (C2.C4.G4) (G3)
(G2) G2 C2   G3 C3G5x3   G2x2 C3 G3 C3G5x7   C3 G3 C2 G2
(G2 G35 G35x5) or to end replace with: (G2)  G5.G4.C3.G3.C2.G2.(G2)  (G35~)


Best regards, and greetings from England.
(more tabs to come soon).


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